Every time I play ‘Ritual Of Infinity’ the music explodes in
my in my ears like a fragment grenade. Morpheus
Descends is crushing, blasting, rolling, terrifying, and they are the epitome
of Death Metal. How and why these guys
are not mentioned more often on Top 10/20 lists is a fucking mystery to me, but
I’d definitely take Cannibal Corpse or fucking Tiamat off one of
those lists on the basis of band integrity, and nerdy Metal fan intelligence. Anyway, lest I digress off this critique,
let’s get to why the fuck Morpheus Descends own most other acts past and
present in the world of Death Metal.
Vocals: Raw, subterranean, and absolutely
frightening. To the point that I gotta
believe Riemer ain’t growling. No, he’s
hurling oaken curses into my ears that plant a festering demonic egg oozing lyrical
puss before bursting… Sick and scary = a macabre experience.
Drums: Slow and plodding, but fast in the right spots
with no part of the kit triggered. The
double bass is like an alligator; in that each time it kicks in your pulled
deeper into murky water by it’s threshing jaws. Frankly, what makes the drumming totally pummeling is that each
part of it can be heard in a thunderous incongruous harmony that only makes
sense if it’s heard. Most awesome is
that a reliance on blast beats is NOT the modus operandi for conveying speed,
unlike what comes off the kits of many bands in the 21st century.
Bass: The sound is literal ROLLING THUNDER. Seriously, the next time a massive
thunderstorm is lurking outside your door with it’s fat water filled black
clouds looming, get outside and listen to that clamorous thunder bellowing
across the sky, for then you will know exactly how Ken Faggio’s bass pounds.
Guitars: If I have indeed saved the best of the
instruments for last then this is where I go crazy. The tone is lowly and rustic as if the guitars have somehow been
downtuned to H. The sound creeping from
those combined 12 strings is poignantly homicidal, but with a controlled
fury. This vibe is brought on by listless
Doom passages and languid chromatic bursts like a long knife gradually pushed
and pulled from soft pink flesh. Fast
sections keep listeners guessing and headbanging, before a hangman’s hook
cracks a neck at the end of a noose. Solos
soar, and they always seem to be placed in just the right spot, leaving that
thunder bass to bounce monstrously.
‘Ritual Of Infinity’ is a recording that proves heavy and
fast doesn’t necessarily need to coexist.
Sure modern studio tricks like Pro Tools or drum triggers can make an
album sound lucidly amazing, but bands and their drooling fans have forgotten
that Death Metal is supposed to be fuzzy, gritty, and mean. Morpheus Descends demonstrate that simple
well written compositions, masterful musicianship, and good ol fashioned
creativity are far superior to a bunch of wanker’s stroking their instruments, pitch
shifted vocals, or studio tricks. This
music is hard driving, cruel, the definition of brutal, and memorable. What the fuck else could be better?
By Mike Lidia